While widely discussed and debated, the concepts of “Visionary Art” and “Visionary Culture” remain somewhat open to interpretation.

In the context of the upcoming Boulder events series Art Spirit Now, the terms are generally accepted to describe art and ideas that impel the advancement of humanity toward a full-scale cultural renaissance.  Presentations by cultural evolutionaries, international and local artists will highlight the main events, along with a gallery exhibition and live art.

The newly formed Vienna Academy of Visionary Art will be presented for the first time in the U.S. by founder, Laurence Caruana (France) and 5 Colorado artists that are also members of the academy.  This international bridge is being built  throughout the month, culminating on the last weekend of May in Boulder.

Another CAVA art event scheduled in May:
Saturday, May 11th
Trace Gallery, Denver Art Walk
Emerging Light – Colorado & International Artists
Follow this link for more information on the Boulder events on May 23rd & 25th.

The phrase has never been more fitting: The Tipping Point. In matters of human thought and perception, the words describe the critical moment when the growing momentum of a new idea overrides the inertia of prior beliefs. A movement exhibiting this power cannot be turned back.

For the Electric Universe community, The Tipping Point means evidence converging from every scientific discipline. Unique predictions of an electrical paradigm fulfilled. Charged bodies in space powered by electric currents across interstellar and intergalactic distances. A model of electric star-formation bolstered by an explosion of new evidence for our electric Sun. Planets sculpted by electric arcs in an age of solar system violence. Comets discharging electrically as they plunge through the Sun’s electric field.

Now new dimensions of the Electric Universe are attracting visionary scientists, artists and students of the human story. An ancient sky animated by electrical dramas affecting every level of human culture. The electricity of life–layers of subtle energy that theorists simply overlooked in their rush to formulate mechanical models of life. Studies of human consciousness and connection that shattered the scientific paradigms of the 20th-century.

The Tipping Point is indeed at hand. In the scientific quest to understand our natural world, the 21st-century will look nothing like the last.

Join us at EU2013 for a three-day exploration of interdisciplinary science, an event designed to break the bounds of conventionality.  Discover the universal role of the electric force, from microcosm to macrocosm, where virtually every new surprise points us in the same direction.  And find your own connections within a movement that will shape the future of science.

A limited number of scholarships are available for students.  Please see Expanding Our Scholarship Outreach for more information about this exciting opportunity!

The Natural Philosophy Alliance (NPA) is devoted mainly to broad-ranging, fully open-minded criticism, at the most fundamental levels , of the often irrational and unrealistic doctrines of modern physics and cosmology; and to the ultimate replacement of these doctrines by much sounder ideas developed with full respect for evidence, logic, and objectivity. Such reforms have long been urgently needed; and yet there is no area of scholarship more stubbornly censorial, and more reluctant to reform itself.

Reigning paradigms in physics and cosmology have for many decades been protected from open challenge by extreme intolerance, excluding debate about the most crucial problems from major journals and meetings.

But the founding of the NPA in 1994 provided those struggling against this irrationality and intolerance with the strength, visibility, and credibility that comes from numbers and from collaborative, purposeful effort. It has also enabled them to share, expand, and refine their individual knowledge through contact with many other critical scholars, at NPA general meetings–held at least once per year since 1994–first by phone, mail, then email and now by the internet, video conferences and once-a-year traditional conferences.

Global Alliance of Scientists Gathering in July to Propose and Discuss Possible Solutions for Fundamental Problems and Failed Predictions Known in Contemporary Physics and Cosmology Addressing topics such as cold fusion, aether, electromagnetism, gravity, zero-point energy, relativity, quantum theory and mechanics, structural models of atoms, expansion tectonics, Twin Paradox, and the Big Bang Theory, the World Natural Philosophy Alliance (WorldNPA) announces its 19th annual conference on July 25-28, 2012 in Albuquerque, NM. http://conference.worldnpa.org

With a schedule consisting of over one hundred sessions, WorldNPA presenters will be challenging commonly accepted theories that dominate modern physics and cosmology. Sadly, many mainstream interpretations of scientific data are based on irrational, unproven, untested, and even untestable ideas that directly contradict observations and predictions. http://www.worldnpa.org/site/problems-in-mainstream-science/ While WorldNPA members don’t claim to have all the answers, what they do offer are sound ideas that are based on objectivity, logic, and reason, rather than the distorted bias that results from financial and emotional allegiances to failed interpretations and predictions. Contrary to a profile commonly imposed on scientific groups that work outside of funded science, WorldNPA members include Nobel Laureates and over 20% hold a Ph.D. in a related discipline. Conference papers are scrutinized by stringent submission guidelines and compiled for publication.

Complementing the WorldNPA is their World Science Database, which holds the largest collection of non-mainstream scientific papers ever assembled, and authored by over 2000 scientists from over 60 countries. In addition, their online video conferencing software allows members to hear, present, and participate in live weekly presentations. http://www.worldsci.org/php/index.php?tab0=Abstracts http://www.worldnpa.org/site/video-recordings/

“From the smallest particle to the largest galactic formation, a web of electrical circuitry connects and unifies all of nature, organizing galaxies, energizing stars, giving birth to planets and, on our own world, controlling weather and animating biological organisms. There are no isolated islands in an electric universe.”

- David Talbott and Wallace Thornhill, Thunderbolts of the Gods.

The Thunderbolts Project is a loose alliance of progressive scientists, researchers and laypeople who have one thing in common – an understanding that much of what we are led to accept in the sciences as fact has not been established beyond reasonable doubt, and so remains open to investigation.

With no Board of Directors, no CEO, and no commercial status, we are free to operate without the bindings which inevitably result from the undue influence of “vested interests” and as such our group is largely autonomous and voluntary.  Considering this, The Thunderbolts Project continues to grow at a remarkable rate, establishing itself as an authoritative voice with a broad and diverse internet presence.

We hope and trust that you find on these pages information which assists you to understand much of the largely “protected” (and convoluted) world of modern cosmology, and opens your mind to the possibilities which ensue from considering the role electricity plays in most every aspect of our existence.

“We live in an electric world. Our cities are visible from space at night, blazing with electric lights. The electricity courses invisibly in the darkness over great distances along thin power lines. We find electricity indispensable. Nature does the same since all matter is electrical. Yet astronomy is stuck in the gas-light era, unable to see that stars are simply electric lights strung along invisible cosmic power lines that are detectable by their magnetic fields and radio noise.”

“It is now a century since the Norwegian genius Kristian Birkeland proved that the phenomenal ‘northern lights’ or aurora borealis is an earthly connection with the electrical Sun. Later, Hannes Alfvén the Swedish Nobel Prize winning physicist, with a background in electrical engineering and experience of the northern lights, drew the solar circuit. It is no coincidence that Scandinavian scientists led the way in showing that we live in an Electric Universe.

Why have they been ignored? The answer may be found in the inertia of prior beliefs and the failure of our educational institutions. We humans are better storytellers than scientists. We see the universe through the filter of tales we are told in childhood and our education systems reward those who can best repeat them. Dissent is discouraged so that many of the brightest intellects become bored and drop out. The history of science is sanitized to ignore the great controversies of the past, which were generally ‘won’ by a vote instead of reasoned debate. Today NASA does science by press release and investigative journalism is severely inhibited. And narrow experts who never left school do their glossy media ‘show and tell,’ keeping the public in the dark in this ‘dark age’ of science. It is often said, “extraordinary claims require extraordinary proof.” History shows otherwise that entrenched paradigms resist extraordinary disproof.

This website is for the curious, those who are eager to discover some reasonable answers about life, the universe and everything (as far as it is possible today) free of old beliefs that have shackled progress for centuries. It requires a beginner’s mind and a broad forensic approach to knowledge that is not taught in any university. The payoff is the spark that lights up lives.”

Wal Thornhill

introducing plasma mythology

Our objective is to study historical information regarding the structure, workings and origins of nature, with special emphasis on transient events. As scientists now recognise plasma as the dominant state of matter in the universe, the subject is conveniently referred to as plasma mythology. This eye-catching term serves to distinguish the present approach from more traditional schools of ‘nature mythology’, that did not acknowledge the significant role of transient events in human traditions.

The plasma universe

Space is not a vacuum punctuated by isolated bodies on perpetually stable courses, as defined by the law of gravity. Since the beginning of the Space Age, it has gradually been discovered that space consists for 99.99% of plasma and is threaded with electric filaments and magnetic fields spanning over many orders of magnitude. This new paradigm is known as plasma cosmology and was pioneered by the Swedish scientist, Hannes Alfvén (1908-1995). Plasma is a partially ionised gas regarded as the ‘fourth state of matter’, that responds with great sensitivity to changes in its magnetic fields and becomes visible to the human eye when it is pervaded by a sufficiently strong electrical current.

The solid rock, the oceans and the lower regions of the earth’s atmosphere belong to the minute segment of the cosmos that is not in the plasma state. Yet the earth itself is bathed in an electromagnetic environment. This consists of the magnetic shell that shields the planet from the enveloping solar wind and other external features impinging on it, such as Near-Earth Objects (NEOs) and, far less frequently, cometary intruders into the inner solar system. In addition, plasma penetrates and controls a range of terrestrial phenomena, such as the aurorae, lightning, fire, tornadoes and lava flows.

Historical sources

The term ‘historical information’ is a broad denominator including a great diversity of materials. ‘Traditional information‘ refers to any ideas or practices that were passed on collectively within one or more societies, often imbued with a sense of sacrality and veridicality. Myths and legends, rituals, religious and metaphysical notions, artefacts and iconography (such as petroglyphs, geoglyphs, designs on pottery and religious statuary), costume, architecture, ranging from stone circles and pyramids to stūpas and cathedrals, and ‘proto-scientific’ cosmologies and histories are replete with references to the natural world and its past. A second repository of data consists of historical records concerning observations of the sky, the atmosphere or the landscape, or historical events.

As far as the celestial aspect of nature is concerned, such historical sources have been the subject of disciplines variously labelled archaeoastronomy, cultural astronomy, the history of astronomy and the history of ideas or of religion, depending on geographical and chronological scope.

The study of historical information about the natural world is useful in a variety of ways. It is of interest in its own right, facilitating our understanding of past cultures and their outlook on the world. This is especially felt in cases where recent discoveries concerning the plasma universe shed fresh light on historical data that had previously been inscrutable. On a deeper level, a study of historical information about the natural world also helps to clarify the nature and origin of religion as a whole. Conversely, historical sources have much to contribute to modern science, as they can complement the scientific reconstruction of the past, specifically the recent history of planet Earth.

The centerpiece of this epic life’s work was a new oeuvre that wholly embodied the artist’s visionary ideals of a perfected vision of the sacred.  ‘Vishnu-Christ Avatar’ offers innumerable examples to experience a profound inner understanding which connects far distant religious traditions.

Belying the separation of the Byzantine and Hindu icons and motifs, this piece reveals that the similarities and archetypal origins of each are united as one.  The size and shape of each minute section of detail in the piece has its origin in a basic elemental armature of an overlaid circle, square and triangle.  The resulting form creates a recursive hidden skeleton which harmonizes the multitude of images into a chorus of angelic voices.

Interspersed among the masterworks in misch technique and other media, were displayed several drawings that could only be compared to the now-famous journals of renaissance master, Leonardo DaVinci.  These studies, complete pieces unto themselves, are comprised of small sketches, drawings and hand-written explorations of the hidden meanings and oneiric origins of the symbol-rich artwork.  These graphic elucidations were warmly received invitations into the depths of the artist’s inner vision.

In his introductory oration at the vernissage, Caruana made the assertion that these paintings and other sacred artworks were not merely concerned with the creation process, nor the finished product as a commodity.  As one becomes still in their presence, each piece serves as an iconic focus for meditation.  With a meditative awareness, one may become transformed and illuminated by the images of the divine, witnessing deeper dimensions of the spiritual nature of human existence.

In celebration of the visionary lineage of past, present and future, Caruana delivered a moving presentation of the depth of heart which epitomizes the visionary art movement.  During the lecture, the audience sat with rapt attention and there was a palpable sense of awe in the crowded room as worlds were bridged and the modern global visionary art movement was eloquently introduced to the old world.  After a lengthy ovation, attendees were offered the opportunity to satiate their own inquiries about the implications of such an art tradition.  As they posed questions to Caruana at the edge of their own cosmic understanding, it was distinctly clear that new minds and audiences were indeed opening through the mystical worlds represented in the art.

As a true polymath, Caruana’s erudition finds expression through multiple forms.  His mastery of the image language is eclipsed only  by his numerous published works as an author, including the indispensable ‘First Manifesto of Visionary Art’.  As the visionary art world awaits his subsequent volume of the Manifesto, his other books, the scholarly ‘Enter Through the Image’  and ‘The Hidden Passion’ (a novel of the Gnostic Christ based on the Nag Hammadi texts), open deep glimpses into the very nature of the visionary experience.

As the mythic work of Laurence Caruana continues to shine forth, may it illuminate all who encounter it’s sacred presence.

Written by David Heskin & Aloria Weaver

Click here to view the video of the vernissage, and L. Caruana’s introductory speech.

Following the flow of the show’s title, the experience was indeed deepened, as a full house on opening night was followed by numerous events throughout the month, including weekly yoga sessions, a dream circle, sound-healing, tea ceremony, a presentation by world-renowned mycologist Paul Stamets, and live painting by Eric Nez, in addition to multiple musical events.

This exhibition is a dream come to life, and represents Nez’s first solo gallery exhibition, in which a majority of the works are larger-than-life figurative yoga asana paintings. Each piece has been custom-framed by the artist himself and many have altar frames for a deeper integration of sacred artifacts and natural elements into the art installation.

In the realm of visual art to inspire yoga practice, there is precious little to parallel the quality and caliber which Eric Nez delivers.  Each piece offers the viewer a portal into a mystical world; an opportunity to experience the transcendent states which are accessible through a deeply devoted asana practice. Nez’s Nature paintings offer glimpses into the microcosm of the Plant Kingdom- a view that reflects the energetic essence and healing powers of the plants and flowers.  Clearly, this view is made available through the artist’s own symbiotic relationship with Mother Nature.

In the artist’s own words, Eric Nez invites us to “Deepen the Experience”,
“… to connect with [his] collection of art and experience the dream that dances between the Sun and the Moon, the union of geometry and yoga postures, the embrace of the clouds, the healing of Nature’s medicines and the growth of her plants.”

Eric Nez challenges us to deepen the way in which we experience art- to directly engage with art, integrating it into our lives, viewing it in new ways, diving deeply into the visual universes he creates, that we may bring back the jewels of wisdom he offers, enriching our lives and our spirits.

The ‘Deepening the Experience’ exhibition at Tribe 13 Gallery is the first stop on a tour of the west coast and beyond in select galleries, yoga studios and sacred spaces.

For more on the Art of Yoga, visit the website of Dreaming Co:nexus, or visit Eric Nez directly at www.ericnez.com.

In a city built upon generations of history, it is no surprise that the cresting wave of visionary art finds itself following in the wake of the Fantastic Realist lineage in Vienna.  The recent opening and ongoing international exhibition filled the walls of the historic Galerie 10 with dazzling visions of otherworldly beauty, drawing a capacity crowd on opening night.  Attendees included many legendary artists from previous generations who set the foundations for this new light to pour through, opening long-awaited dialogues and bridging the gap between established and emerging artists.

Group photo with exhibiting and attending artists

Many of the exhibiting artists reveled in the opportunity to meet each other in the flesh for the first time after years of collaboration through online networks promoting the worldwide visionary art movement. The celebration of art and artist went long into the night, like a dream no one would choose to awaken from. This was destiny.

De Es Schwertberger, Michael Scheer & Amanda Sage delivering the opening presentation

The exhibition was called into being by Amanda Sage, who studied intensely with the master Ernst Fuchs in Austria for a decade. Her vision is to bridge the traditions of the fantastic realists into the emerging cultural phenomenon of the next generation of visionary artists. Delivering the opening speech for the exhibition was De Es Schwertberger, a legendary Viennese artist who has been evolving his magnificent visions for decades. Along with Amanda Sage, artist Dennis Konstantin and gallery owner Michael Scheer delivered an opening dialogue which set the tone for an exciting evening, and for a new era in the arts.

Dennis Konstantin, Aloria Weaver, David Heskin & Daniel Mirante

Group exhibition featuring: De Es Schwertberger, Amanda Sage, Leo Plaw, Dennis Konstantin, David Heskin, Aloria Weaver, Adam Scott Miller, Autumn Skye Morrison, Gregory Pettit, Daniel Mirante, Basia Wiacek & Emma Watkinson.

See the exhibition online at www.galerie10.at

Torri Superiore, Medieval Italian Ecovillage

Bringing together an international body of emerging artists to study in the lineage passed down from the Viennese grand master, Ernst Fuchs, this was a historic convergence nestled in a timeless valley of mythic proportions.  Among the 20 students present from all across Europe and North America, many are already exhibiting or emerging in the international visionary art world, further propelled by this opportunity to connect with a technique which is as spirited in its insights and applications as the visions which it brings to life through the synthesis of mind, hand and spirit.

The Bridge to the Painting Studio at Torri Superiore

At the core of this experience are the instructors who seek to bridge intuition and new ways of seeing with the ability to channel concepts into luminous manifestations of the art spirit.

Laurence Caruana, a Gnostic alchemist, scholar, author and mystical artist continues to solidly deliver the foundations of the Misch technique in his third year offering the seminar at Torri Superiore.  Through hands-on creativity and many multimedia presentations on the nature of visionary form and color, the class was brought into a higher and more refined awareness of the subtle nature of beauty in art, learning new ways to see the world we create through painting.

Amanda Sage worked with each student on one of the most intriguing subjects in art, the self portrait, challenging the artists to go beyond their preconceptions and truly observe themselves in the mirror, while being allowed the flexibility to develop complex color combinations which the Misch technique brings to life through multiple layers of transparent oil glazes.

Emma Watkinson Painting Her Self Portrait

Andrew Gonzalez welcomed eager students into the mysterious secrets of his delicate process with the airbrush, opening all new levels of possibility to the creative process through the most subtle techniques imaginable.  This trinity of master artists set the tone for an unforgettable experience in the studio, and held a high frequency for those who had come great distances to drink from the fountain of art.  Many seeds were planted over the three short weeks, and many possibilities dreamt of for future projects and convergences. Participants made full use of this fabled nexus by conducting interviews and group dialogues to catalogue the visionary art movement and its messages as these waves of vision crest upon the worldwide cultural shores.

Daniel Mirante (www.lila.info) and Andrew Gonzalez in dialogue at Torri Superiore

The seminar ended with a climactic exhibition of completed paintings and works in-progress at the eco-village of Torri Superiore, whose international inhabitants, guests and volunteers marveled at the brilliant expressions which manifested within the stone walls of this ancient palace. Students said their goodbyes as many returned to their homes and many traveled onward to visit further masterworks of the Italian Renaissance, and to Vienna, home of the Fuchs Villa, where the master’s works are on permanent exhibition.

A display of finished and in-progress student paintings at Torri Superiore.

For information on the seminar and the Misch technique, visit Laurence Caruana’s website:  www.lcaruana.com

Amanda Sage : www.amandasage.com

Andrew Gonzalez : www.sublimatrix.com

CoSM Volume 6 : Human/Nature, the newest edition, is now available. This 160 page Journal features many eco-visionaries helping to save our planet: bee keeper David Wolfe, earth activist Julia Butterfly Hill , Omega Institute CEO Skip Backus, visionary author J.P. Harpignies, raw food Rabbi Gabriel Cousens, deep ecologist John Seed, eco-psychologist Ralph Metzner, mycologist Paul Stamets, and eco-art curator Amy Lipton. It also includes dedications to the passing of geologian Thomas Berry and shaman Pablo Amaringo.

This new media is a garden of visionary nature art from all continents of the world including the internationally renowned nature painters Walton Ford and Alexis Rockman, fantastic realist Brigid Marlin, Santo Daime artist Isabela Maria Hartz, the imaginary cityscapes of Akiko Endo, master wood block artist Mitsuru Nagashima, sculptor extraordinaire Kate Raudenbush, visionaries Alex Grey, Mark Ryden, Steven Kenny, Allyson Grey, Daniel Mirante, and Being with Flowers Anthony Ward among other recognized and beloved artists from each continent.

CoSM Journal features creative minds that are altering the consciousness of our culture. This global arts journal is made possible through sponsors who, by advertising, share their right-livelihood with the community.

CoSM Journal seeks distribution to conscious bookstores, galleries, yoga centers, art spaces, cultural and education centers. Media support is available for those inspired to be part of this network.­

The Chapel of Sacred Mirrors, CoSM, is located at Deer Hill Rd. Wappingers Falls, New York 12590. CoSM is a sanctuary for contemplation and a center for events encouraging the creative spirit. The Sacred Mirrors are a series of paintings that allow us to see ourselves and each other as reflections of the divine.

CoSM provides a public exhibition of the Sacred Mirrors and the most outstanding works of mystical art by Alex Grey. The Chapel of Sacred Mirrors is a 501(c)(3) organization, supported solely by charitable donations from the community. If you would like to make a contribution to the Chapel of Sacred Mirrors please send checks to CoSM or make donations online at cosm.org

Laurence Caruana

With time, I’ve come to view my life as a gradual awakening to the Sacred.
Along the way, I’ve had powerful dreams and entheogenic experiences to inspire my art and vision. I’ve crossed paths with the Goddess in the guise of some very interesting women, and had the fortune of meeting my master in art through the personnage of Ernst Fuchs. I’ve lived variously in Toronto, Vienna, Malta and Munich. After twelve years in Paris, I recently moved to a farmhouse in Burgundy to further pursue permaculture. My life, at this point, is propelled by encounters with creative people, or travels to places where sacred awakenings can occur. So, I paint, lecture on art, publish articles and teach the Mischtechnik every summer at the eco-village of Torri Superiore, Italy.
www.LCaruana.com

Daniel Mirante

Daniel Mirante has been wandering the wilderness of the imagination for 32 years. He is fascinated with the exploration of mysticism, deep ecology, mythology, and creativity, especially painting. His art and writing have appeared worldwide in a variety of publications, websites, exhibitions and calendars.

In 2006 he apprenticed with Brigid Marlin in mische technique. He has been involved in several prominent visionary art exhibitions including The Interdimensional Art Show and Temple of Visions, L.A. His art can be viewed at www.danielmirante.com

Delvin Solkinson

Borne from the rainforest, Delvin Solkinson is a permaculture designer and plant path poet. In an artful life turning point, Delvin met David Heskin in 2003, and deepened his love and appreciation for fantastic visionary art. Curating galleries, writing articles on visionary arts and culture, publishing zines, and making galactik trading cards is part of Delvin’s media initiative to help support the creation of a spirited future culture. After extensive work in the festival circuit, Delvin is turning his efforts towards the gallery world and participating more heavily in the global media streams. Honored to be involved with Art Spirit Now, Delvin is planning many future projects which will transform and explore the synergy between art, media and cultural activism.

A. Keala Young

Augustus Keala Young is a life student of facilitation arts; a regenerative practitioner and whole system designer, with a background as an eco-educator, bodyworker, movement facilitator and Heart Circle facilitator. His work as an evolutionary guide is an emerging synthesis of healing sessions, embodiment classes and workshops integrating living systems coherence for individuals and communities.

What began as a natural tendency toward working together to create artworks which were out of the scope of an individual, became a way of life for a close group of allies in the Pacific Northwest. Realizing the grand potential held within this template for creation, a new dimension of melded media art was birthed.

Art is Spirit.

As hundreds gathered for the recent Art Spirit Now event in Portland (May 22nd 2009), it was evident that the Spirit of the Art was calling everyone together with a fresh energy of excitement and passionate anticipation. Here a fresh dream was being forged, one that seemed to usher in a new era for art, culture and community. People flocked from all corners of west Coast to answer the call of Spirit in Action, coming together to celebrate the Northwest Coast visionary renaissance.

Exhibition Gallery

At the Heart of the event presented by Elliot and Beloved Productions were three artists whose signature is a refined approach to bridging Art and Spirit, bringing a vision of art in the past mostly relegated to art parties and festival cultures into the growing gallery world. That night, along with host of artists and musicians, David Heskin, Eric Nez and Aloria Weaver shared a vitalizing energy with the NorthWest Coast.

Eric Nez and David Heskin

Allyson Grey and Aloria Weaver

The line into the event stretched for blocks before the doors even opened. Many had come to share in the ever splendored presence of Alex and Allyson Grey along with their magical ally Mz. Imani. By the time their talk started the venue was shining with a thousand twinkling eyes full of inspired reverence for this incredible team of visionaries. After the talk they did an incredible live painting performance deep into the night. Together they sharing an expanse of kind light in a presence which entranced the crowd and lit up the future with the glow of possibility.

Alex Grey and Mz. Imani

Supported by a beautiful art catalogue and gorgeous media platform rendered by Newskin Studio and Naga Networks, this art event is the first in a long line of finely nuanced gallery shows, art media streams and cultural activations. The Spirit of the Art has arrived again.

See more pictures on Beinart.org and Podcollective.com. The follow up event is happening this coming weekend in Portland at the same location.

Correspondent : Delvin Solkinson

Photography : Kyle Nicholas

Weave : David Heskin and Aloria Weaver

Art at top of Article : ‘Ohh Luminous Moon, Please Bless Our Consciousness With Free Wings’
by Eric Nez